【精品】大學英語作文彙總8篇

在我們平凡的日常裏，大家都寫過作文吧，通過作文可以把我們那些零零散散的思想，聚集在一塊。一篇什麼樣的作文才能稱之為優秀作文呢？下面是小編收集整理的大學英語作文8篇，歡迎閲讀，希望大家能夠喜歡。

大學英語作文 篇1

Many years ago, it was illegal for college students to get married, because the law declaimed it, it was believed that college students were not suitable to get married. But now, the law has changed a few years ago, considering the teenagers gets mature earlier in the modern world, the law has changed the legal age to get married. So the college students can marry today, though the law admits college students to come to marriage, I think they are not suitable to go that far. First, the main duty of college students is to study, they should focus on their study, marriage will distract them. I advise college students to keep the love relationship, they can enter the marriage when they are working. Second, college students are not mature enough. Marriage means duty, most students are just getting independent, they have a lot of things to learn. College student should not rush to the marriage, they finish their study first.

很多年前，對於大學生來説，結婚是不合法的，因為法律不允許，大家都認為大學生不適合結婚。但是現在，隨着幾年前法律的改變，考慮到青少年在現代變得日益早熟，法律更改了結婚的合法年齡。因此大學生今天可以結婚，雖然法律允許大學生踏進婚姻，我認為他們還不適宜走進婚姻。第一，大學生的主要任務是學習，他們應該專心學習，婚姻會讓他們分心。我建議大學生保持戀愛關係，他們可以工作後結婚。第二，大學生還不足夠成熟。婚姻意味着責任，大部分學生才剛剛獨立，他們還有很多東西要學習。大學生不應該急着結婚，他們要先完成學習任務。

大學英語作文 篇2

About Smells

in a recent issue of the independent, the rev. t. de witt talmage, of brooklyn, has the following utterance on the subject of smells:

i have a good christian friend who, if he sat in the front pew in church, and a working man should enter the door at the other end would smell him instantly. my friend is not to blame for the sensitiveness of his nose, any more than you would flog a pointer for being keener on the scent than a stupid watch-dog. the fact is, if you had all the churches free, by reason of the miing up of the common people with the uncommon, you would keep one-half of christendom sick at their stomach. if you are going to kill the church thus with bad smells, i will have nothing to do with this work of evangelization.

we have reason to believe that there will be laboring men in heaven; and also a number of negroes, and esquimau, and terra del fuegans, and arabs, and a few indians, and possibly even some spaniards and portuguese. all things are possible with god. we shall have all these sorts of people in heaven; but, alas! in getting them we shall lose the society of dr. talmage. which is to say, we shall lose the company of one who could give more real tone to celestial society than any other contribution brooklyn could furnish. and what would eternal happiness be without the doctor? blissful, unquestionably -- we know that well enough -- but would it be distingue, would it be recherche without him? st. matthew without stockings or sandals; st. jerome bareheaded, and with a coarse brown blanket robe dragging the ground; st. sebastian with scarcely any raiment at all -- these we should see, and should enjoy seeing them; but would we not miss a spike-tailed coat and kids, and turn away regretfully, and say to parties from the orient: these are well enough, but you ought to see talmage of brooklyn. i fear me that in the better world we shall not even have dr. talmages good christian friend. for if he were sitting under the glory of the throne, and the keeper of the keys admitted a benjamin franklin or other laboring man, that friend, with his fine natural powers infinitely augmented by emancipation from hampering flesh, would detect him with a single sniff, and immediately take his hat and ask to be ecused.

to all outward seeming, the rev. t. de witt talmage is of the same material as that used in the construction of his early predecessors in the ministry; and yet one feels that there must be a difference somewhere between him and the saviors first disciples. it may be because here, in the nineteenth century, dr. t. has had advantages which paul and peter and the others could not and did not have. there was a lack of polish about them, and a looseness of etiquette, and a want of eclusiveness, which one cannot help noticing. they healed the very beggars, and held intercourse with people of a villainous odor every day. if the subject of these remarks had been chosen among the original twelve apostles, he would not have associated with the rest, because he could not have stood the fishy smell of some of his comrades who came from around the sea of galilee. he would have resigned his commission with some such remark as he makes in the etract quoted above: master, if thou art going to kill the church thus with bad smells, i will have nothing to do with this work of evangelization. he is a disciple, and makes that remark to the master; the only difference is, that he makes it in the nineteenth instead of the first century.

is there a choir in mr. t.s church? and does it ever occur that they have no better manners than to sing that hymn which is so suggestive of laborers and mechanics:

son of the carpenter! receive this humble work of mine?

now, can it be possible that in a handful of centuries the christian character has fallen away from an imposing heroism that scorned even the stake, the cross, and the ae, to a poor little effeminacy that withers and wilts under an unsavory smell? we are not prepared to believe so, the reverend doctor and his friend to the contrary notwithstanding.

大學英語作文 篇3

With the fast are pace of modern life, more and more people are living under great pressure.

Some people are afraid of pressure. They think that the stresses and strains of work deprive them of joy and happiness. In their view, stress does harm to them both physically and mentally. That is why they prefer something less competitive and strenuous to something more demanding and rs argue that stress isn‘t as bad as it often supposed to be. Unless it is overwhelming, a certain amount of stress is vital to provide motivation and stimulation. With out stress, you may slack off and idle away your time. It gives purpose and meaning to an otherwise meaningless, dull life. People under stress tend to bring their potential into full play and to realize their goals.

In my opinion, we shouldn‘t escape from stress but to face it as it is. What we can do is to adapt to the stress and to profit from it rather than to avoid it.

大學英語作文 篇4

Some university students chooseto live in school dormitories while others choose the apartments outside their campus. People have different views concerning this issue. In my opinion, it would be better if they live in dormitories in the first two years and lease ahouse or apartment outside the campus in late two years.

一些大學生選擇住在學校宿舍而其他人則選擇住在校園外面的公寓。人們對這一問題有不同的看法。在我看來，頭兩年住在宿舍，後面兩年在校園外面租房子會更好。

They can enjoy more advantages from this choice. To begin with, living in dormitories provides more conveniences for freshmen and sophomores to interact with their classmates get familiar to their schools and surroundings and get the newest news. That wouldbe helpful in their adapting to the new life and developing their nd, they can be more concentrated on their study if they live indormitories. Compared with complex off-campus life, school life which is much more wonderful than ever before is good for students’ concentrating on their addition, in the rest of two years, university students tend to deal with other things instead of academic study only, such as future career planning,pursuing advanced studies and so on. Therefore, leasing a house or apartment outside campus is more convenient for them to receive information, get in touch with realistic society so that they can prepare for their future in advance and find their positions. At the same time, it is a good chance to cultivate their ability in live independently.

這樣的選擇能讓他們享受到更多的好處。首先，住在宿舍可以讓一、二年級的學生更好的與同學互動，瞭解學校，熟悉學校環境，獲取最新的消息。這對他們適應新生活，發展他友誼是有幫助的。第二，如果他們住在宿舍，他們可以更專注於自己的學習。與複雜的校外生活相比，學校生活是比他們以往任何時候的生活都要精彩，而且也有利於他們集中精神學習。此外，在後面的兩年裏，大學生傾向於處理別的事情而不只是學術研究，如未來的職業規劃，深造等。因此，在校園外面租房子更便於獲取信息，與現實社會接觸，因此他們可以提前為他們的未來做準備並找到自己的位置。同時，它也是一個培養獨立生活能力的好機會。

In a word, I advocate that freshmen and sophomores live in school dormitories and junior and senior students choose to live outside the campus. Meanwhile, it is also necessary forthem to make their choices in accordance with their financial conditions andother actual satiation.

總之，我認為一、二年級的學生應該住在學校宿舍，三、四年級的學生應該住在校外。同時，根據他們的經濟情況以及其他的實際情況來做決定也是很有必要的。

大學英語作文 篇5

there was a bit of a fuss at tate britain the other day. a woman was hurrying through the large room that houses lights going on and off in a gallery, martin creeds turner prize-shortlisted installation in which, yes, lights go on and off in a gallery. suddenly the womans necklace broke and the beads spilled over the floor. as we bent down to pick them up, one man said: perhaps this is part of the installation. another replied: surely that would make it performance art rather than an installation. or a happening, said a third.

these are confusing times for britains growing audience for visual art. even one of creeds friends recently contacted a newspaper diarist to say that he had visited three galleries at which creeds work was on show but had not managed to find the artworks. if he cant find them, what chance have we got?

more and more of londons gallery space is devoted to installations. london is no longer a city, but a vast art puzzle. net to creeds flashing room is mike nelsons installation consisting of an illusionistic labyrinth that seems to lead to a dusty tate storeroom. its the security guards i feel sorry for, stuck in a fau back room fielding tricky questions about the aesthetic merits of conceptual art simulacra and helping people with low blood sugar find the way out.

every london postcode has its installation artist. in sw6 luca vitoni has created a small wooden bo with grass on the ceiling and blue sky on the floor. visitors can enhance the eperience with free yoga sessions. in w2 the serpentine gallery has commissioned doug aitken to redesign its space as a sequence of dark, carpeted rooms with dramatic filmed images of icy landscapes, waterfalls and bored subway passengers miraculously swinging like gymnasts around a cross-like arrangement of four video screens. the gallery used to be stables, you know. not to be outdone, in se1 tate modern has a wonderful installation by juan munoz.

at the launch of this years turner prize show, a disgruntled painter suggested that the ice cream van that parks outside the tate should have been shortlisted. this is a particularly stupid idea. where would we get our ice creams from then?

what we need is the answer to three simple questions. what is installation art? why has it become so ubiquitous? and why is it so bloody irritating?

first question first. what are installations? installations, answers the thames and hudson dictionary of art and artists with misplaced self-confidence, only eist as long as they are installed. thanks for that. this presumably means that if the ice cream van man took the handbrake off his installation van no1, it wouldnt be an installation any more.

the dictionary continues more promisingly: installations are multi-media, multi-dimensional and multi-form works which are created temporarily for a particular space or site either outdoors or indoors, in a museum or gallery.

as a first stab at a definition, this isnt bad. it rules out paintings, sculptures, frescoes and other intuitively non-installational artworks. it also says that anything can be an installation so long as it has art status conferred on it (your flashing bulb is not art because it hasnt got the nod from the gallery, so dont bother writing a funny letter to the paper suggesting it is). the important question is not what is art? but when is art?

the only problem is that this definition also leaves out some very good installations. consider richard wilsons 20:50. it consists of a lake of sump oil that uncannily reflects the ceiling of the gallery. spectators penetrate this lake by walking along an enclosed jetty whose waist-high walls hold the oil at bay. this 1987 work was originally set up in matts gallery in east london, through whose windows one could see a bleak post-industrial landscape while standing on the jetty. the installation, awash in old engine oil, could thus be taken as a comment on thatcherite destruction of manufacturing industries. then something very interesting happened. thatchers ad man charles saatchi put 20:50 in his windowless gallery in west london, depriving it of its contet. but the thames and hudson definition does not allow that this 20:50 is an installation because it wasnt created for that space. this is silly: it would be better to say there were two installations - the one at matts and the other at the saatchi gallery.

or think about damien hirsts in and out of love. in this 1991 installation, butterfly cocoons were attached to large white canvases. heat from radiators below the cocoons encouraged them to hatch and flourish briefly. in a separate room, butterflies were embalmed on brightly coloured canvases, their wings weighed down by paint. the spectator needed to move around to appreciate the full impact of the work. unlike looking at paintings or sculptures, you often need to move through or around installations.

what these two eamples suggest to me is that we are barking up the wrong tree by trying to define installations. installations do not all share a set of essential characteristics. some will demand audience participation, some will be site-specific, some conceptual gags involving only a light bulb.

installations, then, are a big, confusing family. which brings us to the second question. why are there so many of them around at the moment? there have been installations since marcel duchamp put a urinal in a new york gallery in 1917 and called it art. this was the most resonant gesture in 20th century art, discrediting notions of taste, skill and craftsmanship, and suggesting that everyone could be an artist. futurists, dadaists and surrealists all made installations. in the 1960s, conceptualists, minimalists and quite possibly maimalists did too. why so many installations now? after all, two of this years four turner prize candidates are installation artists.

american critic hal foster thinks he knows why installations are everywhere in modern art. he reckons that the key transformation in western art since the 1960s has been a shift from what he calls a vertical conception to a horizontal one. before then, painters were interested in painting, eploring their medium to its limits. they were vertical. artists are now less interested in pushing a form as far as it will go, and more in using their work as a terrain on which to evoke feelings or provoke reactions.

many artists and critics treat conditions like desire or disease as sites for art, writes foster. true, photography, painting or sculpture can do the same, but installations have proved most fruitful - perhaps because with installations the formalist weight of the past doesnt bear down so heavily and the artist can more easily eplore what concerns them.

why are installations so bloody irritating, then? perhaps because in the many cases when craftsmanship is removed, art seems like the emperors new clothes. perhaps also because artists are frequently so bound up with the intellectual ramifications of the history of art and the cataclysm of isms, that those who are not steeped in them dont care or understand. but, ultimately, because being irritating need not be a bad thing for a work of art since at least it compels engagement from the viewer.

but irritation isnt the whole story. i dont necessarily understand or like all installation art, but i was moved by double bind, juan munozs huge work at tate modern. a false mezzanine floor in the turbine hall is full of holes, some real, some trompe loeil and a pair of lifts chillingly lit and going up and down, heading nowhere. to get the full impact, and to go beyond mere illusionism, you need to go downstairs and look up through the holes. there are grey men living in rooms between the floorboards, installations within this installation. its creepy and beautiful and strange, but you need to make an effort to get something out of it.

the same is true for martin creeds lights going on and off, though i didnt find it very illuminating. my work, says martin creed, is about 50% what i make of it and 50% what people make of it. meanings are made in peoples heads - i cant control them.

its nice of creed to share the burden of significance. but sadly for him, few of the spectators were making much of his show last week. his room was often deserted, but the rooms housing isaac juliens boring films and richard billinghams dull videos were packed. maybe creeds aim is to drive people away from installation art, or maybe he is just not understood. whatever. the lights were on, and sometimes off, but nobody was home.

大學英語作文 篇6

On the popularity of wifi

As is vividly depicted in the drawing,three birds are standing on the e another bird is standing on the other side without wire,with its whole body floating in the of the three

birds says:”he’s got wifi’

By depicting this the image,the drawer attempts to expose the popularity of wifi every coin has two sides,so does the one hand,it makes it possible for a wireless-enabled computer or personal digital assistant to connect to the Internet almost time,anywhere,making our life more convenient and interesting And with the development of society,free wifi will be available in may more places,which will make it cheaper for us to surf the the other hand,access points could be used to steal personal information transmitted form wifi users and there is still room for improvement in the signal strength of wifi.

Generally speaking,only when we make the most of the advantages of wifi and get rid of its

disadvantages,will it benefit us.

大學英語作文 篇7

Its Time to Stop Software Piracy

1. 盜版軟件比比皆是

2. 盜版軟件猖獗的原因

3. 如何打擊盜版軟件

【作文範文】

Its Time to Stop Software Piracy

China has often been criticized for the rampant practice of software piracy. Take a look around. We operate on pirated Windows systems, defend PC security with pirated Kaspersky anti-virus programmes, process files with pirated Microsoft Office, draft 3D designs with pirated AutoCAD, refine pictures with pirated Adobe Photoshop, and study English with pirated Kingsofts electronic dictionaries and translators. Its no exaggeration that pirated software is everywhere.

The logic behind the phenomenon is simple and clear: if a pirated copy is available for just a tiny fraction of the normal price, not to speak of many of the free downloads online, who would pay for an authentic copy? Cheaper prices aside, easy access is another important factor. With such a large gathering of pirated upgrades around, who would bother to spend time and money searching the stores for an authorized yet outdated version?

Despite these apparent benefits, the practice of software piracy should be banned, because it represents unfair competition and by nature its a no-win situation. But how? Two approaches are to be taken at the same time: Technically, software developers should enhance their antipiracy engineering, so that cracking the software should be virtually impossible. And legally, the government should also tighten its antipiracy laws and toughen up the penalties, so that violations should be costly.

大學英語作文 篇8　　The Craze of Pursuing Graduate Studies 考研熱

The Craze of Pursuing Graduate Studies

【精彩範文】

The Craze of Pursuing Graduate Studies

Each year, millions of Chinese college students sit for qualifying examinations for graduate studies, primarily in Master’s programs. Students prepare for those examinations either through years of arduous self-education or by spending large sums of money attending local training schools. The publishing of examinations-related study materials and the training programs offered, both online and offline, have combined to form a sizable industry.

An alarming fact about this craze is that most students pursue graduate studies not out of their voluntary will. Faced with the harsh reality in the employment market, which is forever looking for graduates with higher degrees, many college graduates find going to graduate schools is a good way to avoid unemployment and to enhance one’s competitiveness in future job hunting.

However, without that voluntary initiative, most students who do enter graduate schools are not motivated. For them, the only thing that ultimately counts is the degree or the diploma which they expect could give them an upper hand against other job hunters. As to the actual substance of their graduate studies, it’s not a big deal for them, as long as it leads to that degree or diploma. It is really pathetic to see that students undertake graduate studies with an ulterior motive—not for the sake of loving what they study, but for the sake of merely landing a job, which in many cases might be unrelated to what they have studied.

The chill truth is that students soon find their anticipations are a mere dream. As so many undergraduates proceed onto graduate studies, the employment situation remains as severe as ever. Instead of bringing about apparent competitive edges, two or three years of additional academic training is simply a waste of time and energy. They need to reflect on this craze and would have been better off distinguishing themselves with outstanding knowledge and skills when they were undergraduates.

每年，數以百萬計的中國大學生參加研究生入學資格考試，主要是攻讀碩士學位課程。學生準備考試的那些通過數年艱辛的自學，或通過花大筆的錢參加當地培訓學校。與考試相關的學習材料的出版和提供的培訓課程，無論線上線下，一起構成了一個規模可觀的產業。

關於這股熱潮，一個觸目驚心的事實是，大多數學生讀研究生不出於他們自願。面對着就業市場的嚴峻現實，這是永遠尋找學歷高的畢業生，許多大學生髮現，進入研究生院去是為了避免失業和提升未來求職過程中的競爭力的一個好方法。

然而，沒有主動性，大多數的學生進入研究生院沒有動機。對他們來説，唯一重要的.是最終的學位或文憑，他們期望相比其他求職者這能給他們一個上風。至於他們研究的實際的物質，他們覺得沒有什麼大不了的，只要能拿到學位或文憑。看到他們為了這樣一個目的，不是熱愛他們所研究的東西，而是為了找一個好工作，還不一定是跟他們專業相關的，真的覺得他們好可憐。

令人寒心的事實是，學生們很快就會發現，他們的期望是一個單純的夢想。因為如此多的大學生走上研究生這條路，就業形勢會依然嚴峻。而不是帶來明顯的競爭優勢，兩年或三年額外的學術訓練，簡直是浪費時間和精力。當他們本科生的時候，他們需要反思這股熱潮，要更好的區分自己卓越的知識和技能。